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Updated on February 19, 2024 by Ritwik Mitra: Studio Ghibli is one of the most popular movie studios around, and it's easy to see why so many fans are fans of their charming work. While some of their movies can touch some dark themes at times, the majority of their work carries a gleeful charm to them that makes these works of animation feel so awe-inspiring to watch. Suffice it to say, fans of their work wouldn't mind playing through games that are just as whimsical while also being deep and introspective in their own

Resident Evil's G-Virus was essentially a fusion of various T-Virus samples and the Nemesis parasite that were tested on Lisa Trevor over many years. The various T-Virus samples in her body caused her immune system to kill the Nemesis parasite and fuse with it, resulting in the accidental birth of the mighty G-Virus, which Umbrella removed from

PlayStation's Tim Turi did an interview with Resident Evil 3's development staff regarding the Nemesis creature, and it was revealed that its new ability to infect zombies was the result of its relation to the Las Plagas-infected hosts known as the Ganado in Resident Evil 4 . "We wanted NE-a infected enemies [enemies infected by the Nemesis] to be visually similar to the Plagas-infected Ganados as a means for fans to piece together how Nemesis fits within the whole Resident Evil franchi

Given the trajectory of Capcom’s admittedly stellar remakes thus far, I’m unsure it will do such a thing. It could be the opposite, with reimaginings of Resident Evil 2 and 3 opting to trim the fat in favour of tightly executed scares and chaotic action instead of giving us time to stew in our own horrific, b-movie circumstances. Compared to everything that came before it, Resident Evil 4 was a completely different beast. It took the clunky controls of the franchise and morphed them into a third-person shooter experience that felt deviantly modern by 2005 standards. It wasn’t afraid to push boundaries, setting the bar so high that I’d argue the genre is yet to surpass them even to

Nintendo Labo is fun for all ages and is as simple or complex as the player's imagination. By setting up the controllers on various bits of cardboard, players get a level of immersion they'd ordinarily need VR to harness. Ultimately, this release is difficult to recommend since it is the definition of an acquired taste, despite being fairly accessible as an idea. While certainly fun, Labo is also one of those concepts that can grow old quic

The last 2D Zelda was released in 2004 - The Minish Cap . It was followed by Twilight Princess , Phantom Hourglass, Spirit Tracks, Skyward Sword , A Link Between Worlds, Tri Force Heroes, and Breath of the Wild. Now, we have a sequel to the latter on the way. 2D Zelda seems to have died out, but that’s because 2D as a whole has seemingly been tossed to the wayside. Even now, remakes of 2D games opt to 3Dize them (if that isn’t a term, it is now). When I say that Nintendo should release another 2D game, I’m not talking about a remaster or remake or even the style of the 2D games but in 3D a la Link’s Awakening for the Switch. I’m talking flat, KOTOR 2 restoration Project-dimensional sprites - the whole kaboo

Grogu steals just about every scene he's in , but as cute and funny as Grogu is, he has a tragic past. Grogu was a Jedi padawan at the Jedi Temple on Coruscant at the time of Order 66. Someone - it remains a mystery who - saved him and whisked him away to safety as Anakin Skywalker led a bloody rampage through the sacred tem

The classic 2D Pokemon era is something fans can't get enough of. Each and every game oozes with charm, making them some of the coziest titles fans can check out for themselves. While most of the entries do not have the dramatic qualities associated with some of Studio Ghibli's greatest games, they deliver immersive and charming worlds filled with colorful personalities. They are a fantastic escape from real

The classic approaches weren’t bad or archaic. It’s a common misconception. They often had janky controls, poor accessibility, or even overly difficult game design - but the aesthetic was never to blame. The industry has ironed out a lot of these creases over the years to create much smoother experiences, and the indie space is proof enough that 2D doesn’t mean old and obtuse. The Binding of Isaac takes the original Zelda and makes it a roguelike, even sharing its UI, dungeon format, and item pickup animation - the inspirations ooze. Undertale is a 2D RPG that has combat expressed through a small box that has you avoiding the bullet-hell barrage - it doesn’t rely on fancy graphics. Little Dew is a more comedic Zelda that feels like an HD rendition of the classics with a quaint, cartoony art style. These are all iconic titles, despite not being 3D triple-A blockbusters. Meanwhile, when Nintendo wants to revive its classic library, it does so by modifying its 2D approach, 3Dizing them instead. Look no further than the upcoming Brilliant Diamond and Shining Pearl Pokemon gam